vince's own web page: maggotry
4.
(this is not a disclaimer; this is not a discourse)
travelogue
for no one
for sanity
the happening
northern new mexico
to you
useless buoy
life after death after life...
christ comes to you
cut yourself and examine your blood--
WHAT THEY ALLOW
remove my eyes my brain my teeth
BREAKFAST SONG
where this thing
DRUNKEN BICYCLE
WONDERFUL
Well Crafted Gentlemen are We
In Walked Bud
Outside the Institute
And it Kept at It
Glistening Brightness
Please Adjust the Hue
Blue
Mike Had Too Much Tao
Because
No Arms Writing
Harsh Sunday
Contagious Cancer
Give It a Shot
Curious Rhymes of the Will
Dream Poem
Dream
A Change of Mind
Director's Cut
Yet
Semantic Deprivation Love Song
The Moon is Not Dead
The Personal Journalism of Vincent Atkins a review by James Strope
vincent atkins was born in Minneapolis, MN and he enjoys this and that.
cemetery contemplations
I.
green, red, and yellow leaves
on an autumn tree,
standing before a
blue sky
with the sun
warm on my arms
and every sound
swirling round,
as i sit
and watch the insects crawl.
II.
brown pine needles
on the ground
amidst
dying grass
twigs
weeds
leaves
everything
a fallen blanket
for the earth.
III.
beautiful daughter
buried there,
old friend,
lost lover,
acquaintance,
stranger,
no one at all;
underneath the fallen leaves
we leave you
when you leave us...
but
we never go far.
IV.
writing poetry
in an autumn cemetery
by the diminishing light
of a perfect afternoon,
with an equally perfect
evening
coming soon.
I.
early evening jazz
on a thrift shop radio--
louder than the world
II.
a cheap room for me
and everything else for you,
if you desire
III.
in tijuana
some women don't want to talk,
but will till i'm broke
IV.
now that she's asleep
in this house, nothing's stirring
but these thoughts of mine...
_________________________________________________________________
The new MSN 8: smart spam protection and 2 months FREE*
http://join.msn.com/?page=features/junkmail
4 LIFE
i am a slave
i am a slave to the good vibrations;
any sounds that evoke
the realms of
immortality--
the lingering profundity
that materializes from out of the
thin air,
transporting me to a
thick and lush
landscape
of ideas...
these visions escaped from
present day prisons
and pulled me into some place living
life apart from this...
older today
welcome night bed death
just to hold my bones still
while the blurry brain freezes
just to focus on nil.
annihilation of the day.
so come pray
because it works
(so they say...)
and we're all a little older
and the night's a little colder
...these damn snowlflakes just drift
like dead angels
so small...
but the carnage is a vast
lovely covering
smothering
so peacefully furthering
a reality
through this one
(this
is not a disclaimer; this is not a discourse)
at a bookstore today
i came across a book
entitled: the wheel of death.
it jumped out at me;
and so i skimmed through it's pages:
a manual
on death--
every aspect covered:
how to prepare; how your friends and family should prepare;
what is normal;
how long one should wait before
cremating the corpse;
etc.
it all seemed fairly simple.
it all seemed simply fair.
but where will you go?
the author proposed.
where can you go?
4.
four birds in flight
surounded by too fast to count
four elements of matter
and what matters
(what are these four--
limbs?)
for every four breaths i take
something can't breathe at all
take four of my five
and i've still one to show
be four and be free!
north, west, south and east
four paws, the floor
underneath activity
four apocalyptic visions
wondering which one's more fun
we're on four wheels
going nowhere
some have four years to live:
_________________________________________________________________
reaction to a storm
still life in a
brick building
living wind
i hear the trees bend
through myself
the scraping world outside
the soft light waiting...
order mayhem!
bombs!
i can't believe what's in
another world.
the truth just happens
differently...
and still
so safe
alive
the dead are bare white pages
soil is slime
you pervert
watch:
we move across
comedic insects
burying thoughts that
suffocate.
i wait.
(i can't wait.)
when the storms come
people run for cover
people
turn the channel
cats react
ants
fall off trees
i shudder--
think of something that will save me...
all is quiet
the trees are stumped.
bird-brained thoughts
before another day
(after skinny puppy)
...gloom hell gloom
insane
gloom
the bell
nothing matters
ring
respond
nothing
sing a song
without your ears
the heart
moves
reward the grey skies
loom
to reap
you cannot keep
just go away
insane
them looking after
moving faster
fall asleep
the bells
from hell
there are none
is no
trees attacking birds
the bird
a skeletal response
a hungry dance
lost blood
no shit.
black and white lies
consensus causes form
or your mind--
not the mess.
leave it alone
because beauty
does not make the sun rise.
in one hour i'll be different;
if i'm ugly
it's no fault of time.
(so the senses are an extra
necessity
for a linear relationship.)
catch the sun
in your gut
and the darkness and the moon
and everything--
all need sustenance.
(to experience a thing as beautiful means: to experience it necessarily
wrongly--nietzsche as translated in susan sontag's on photography.)
it doesn't matter what they say about travel
it doesn't matter if you
immediately want to return
it doesn't matter if
once you've traveled the whole world
you are no better off than you were before
it doesn't matter that you'll be treated as a
foreigner
it doesn't matter that you might get sick
or that you might wind up in jail
or that you might be sentenced to death
because their rules are different
it doesn't matter that you'll be uncomfortable
it doesn't matter that your
car will break down
it doesn't matter that you will bump into
many dull and equally fascinating people
it doesn't matter that you'll get laid
it doesn't matter
that the only action you'll get
is the opening of the great pink sky
beyond the rocky mountain breasts
it doesn't matter that you'll sleep
on floors and in beds
it doesn't matter that you'll stay awake
for hours on end
it doesn't matter that there won't be anything for
days
it doesn't matter that the rain will
never end
it doesn't matter that the
tv in your motel room
will be functioning properly
it doesn't matter that the alien silence
will sound no less silent
than it does at home
it doesn't matter
that you may
never return
it doesn't matter
that they all will leave
eventually
it doesn't matter
until it does
for here i'm only
speculating.
i leave without knowing,
yet i am not an aimless wanderer.
my aim is to wander,
and i'll know
when i arrive.
i want to go crazy in iowa,
get off the bus in des moines
and walk away from you
for good.
but i'll stay on board
to learn a little more
while i still have the choice.
sober
something moves me
through this strange, quiet town
beneath great mountains
that may as well be
made of cardboard.
i've smoked enough cigarettes
and denied myself
enough food
to transform my body
into a thin and ghost-like form.
perhaps it is the air
that keeps me going...
and then i think
that i could
lay down and die
right here on the sidewalk--
but i don't know how...
and so i continue
and happen upon
three beautiful deer
wandering the empty streets.
perhaps they are searching for food.
i pass them by
and decide to search for food myself--
for what good is all this money
if it just sits inside my wallet?
at a gas station
i pick up some junk food
eat a little
on my way back
and leave the rest for the deer.
perhaps they will find it
sniff at it a bit
then return to those
cardboard mountains...
perhaps all i needed
was that one
perfect moment
that always
seems to be
wonderfully
perfectly
happening.
beer and cigarettes
a lonely town
a failed attempt at
phone sex
with a distant girl
a sunrise outside
a pulled blue curtain
and a world
inside a tv
within a murder
two murders
two lives
a child
a gun
a reason for a poem
for
absolutely
no one.
smile and
laugh with the bizarre--
while the moon slides through
a single eyebrow in the sky
and the face disappears
over a thousand miles...
my true love
i am coming home
to a home that could be
anywhere
as long as
you are there
to see what
i see
in you.
its all in the eyes,
in the head; look in deep
or just
see
;really tell yourself
that you do not know this thing,
this
miraculous creature, this
soul
peering out, glowing,
through two moistened hues
with black pupils that zoom
in and out
to witness my amazement
and
dumbfounded daze...
when riding my bicycle down the road
from a long, drunken, blundering eve,
i notice things like
shadowing spokes
penetrating deep from beneath
the tar of roads.
and into these thoughts
of delirious lines,
lines that fracture all the sky
and all its clouds
that gratuitously manufacture lies--
lies of what the gods may see,
or lies of what we
hope to be:
menacing faces of magnificent girth
that plunder the heavens
and hypnotize earth.
how horrible it is to attempt to plan my distant future
out
when i am not even sure
what i will be doing next week...how horrible to think that
i need to figure out what i want to do with my life, for the
rest of my life...i want to do
what i will be doing; i neednt plan these
things--theyll
happen...and i know that the most
important time is now--nothing else matters
quite as much
as what i am doing right now...
what you are doing
right now...what the world is
doing
right now...i dont know--
some are sleeping,
some are
dreaming, and some are living their lives
to the fullest, or
wasting them away
in very much the same manner...
who am i to judge?
i merely want to follow where this
thing
leads...
birds...birds...
one and then three
now a wave of them
piercing the morning air
and my brain
with beautiful beaks
full of song...
at certain times
the trees, the sky, the moon
are placed,
positioned,
just so,
so that i see them as objects
for my eyes and my mind
to obtain pleasure from;
to take
pictures of;
to paint;
to
write about.
and other times
i am placed,
positioned,
just so i know this
is not
what they want
all the time.
if it were
they would
never die,
and
we would
never live.
remove my eyes my brain my teeth
my my...how
verily i cease!
decrease the time it takes to
write a note,
reminders for a time to tell myself
i must
decrease...
and ease
out of the faucet in the sky
or roll from stones
and mountains sides.
deserving
cataclysms schism
so to be the great divide
that follows
seekers of truth,
washers of brains,
pullers of teeth,
and
eye
specialists...
removers of the sticky film that
wont rinse away
until all is
seen
as it truly is--
it.
all.
no in between catastrophe
but yes
between, behind, because.
because the world is full of death
we die. because
we kill and watch tv
we cry
because it doesnt end the way it should
it never ends--
it just gets worse.
i lose my eyes my brain my
teeth with
all the rest of me
to some disordered hand
that sweeps across the open plains
and rolling hills
and mountain tops
into the oceans
and their depths
and
doesnt
stop
there...
the well crafted hand from its
void of strange crocodile wiles
to
exhume something lost,
something
stolen as
children
fall in. smilingly laboured an
English boy stands
in department stores' dreamlands
so
wistful,
aplomb of the gun in his
tiny, white hand--
a toy smashed to pieces... and i
thinking
back toward
baseball and boogy-
men
scream as we fall through any
number of dreams,
through the tears of some reptile
dried up long ago.
now this city we're lost in
shoots up
and
away from this hole in the
soul of a soul of a
scared trigger finger
will the tree
blossom overnight if i
let go my eyes
soft as
petals;
the
lids will seem so
seriously
beautiful, to
fall without gravity...
here, let me
pause
for a
strong leg of giant has
rooted itself,
ready to
kick apart Spring
with a
flowering things
dogs walking me, to the
place where the artists are
hung; a
boy on a skateboard says:
HI
then sails down the
cement;
he pulls off a trick
on the artistic steps
and
gladly i applaud his
innocent destruction (
though really
none of artist-calling
seemed to mind
); YOU MIND IF I
GIVE IT A TRY--i,
begging from inside,
to sail all around
through the concrete details
of this admirable lad
admiring my skills--
my
artistic hangings, like a
soldier
somewhat killed
not really knowing a damn thing about
history,
events continue on with
little planning
standing at the edge of town, figuring
which way is North, which way is
Up,
digging around in the ground for a
miracle: vast and ugly, the
past
waits for a god-damned long time;
waits for the ufos,
the new foes of bones
old and bones
young and strong--
waiting to be brandished again like an
army of death on the run...
running faster to
cities sound exciting in the black quilt of
night on the prowl with thick clouds
of
dark cranium covering
all of our happy heads;
logging camps empty for the first time in
centuries, and
computers rusting, melting so
sadly;
for
they never new a damn thing
about the past, really;
never raced in a canoe or
killed birds with a wrist-rocket launching
jagged death in a granite driven,
missing--smashing
windows into futures:
boring,
but it's
where we just might
live...
endorphins from the dogs
flourish, for they
got me
all riled up inside--
wrestled and
growled
and
slobbered upon,
their
eyes a-sparkle with the
empty, simple
momentary pleasures
of a
smiling belly scratch; i
walk with them through
wet grass in the
evening
as they
laugh inside their
black coats shining
with the moon
we were all
huddled up in blankets and
mesmerized by various televisions,
awaiting the night to bring
sleep to our weary eyes
and even though we
say we love humanity, we'd
much rather watch it
lifelessly trapped inside of
twenty-two inch screens
the people in there are
much easier to get along with,
even though there are times when they
go against our wishes and cause us to
jump and shout, or cry to ourselves...
but we forgive them, in time
and hope that tomorrow's episode will
give us a chance to reestablish our faith
until then, though, what on
earth are we to do?
stare at the sky? no, it's the
wrong color blue
blue the birds are waiting
blue the sun is
humming for renewal
blue the sky
is crying
for a tool to make the nighttime
run away
blue the color
of the tv screen
when you pass out drunk and
wake up jobless
blue is the color
that the sky should be
on a perfectly cloudless day
and blue is the tint
your skin turns
when the plastic of life
knocks you down in the dirt
and the sky grows quite heavy
as the rain
chills your fingers
Jesus-esque eyes, soft and hard
at the very same time--
like a dog before death from a car
and the probable bliss that unfolds...
the pamphlets,
the old words that carry the truth to the save-ed:
'i can offer you salvation;
i can offer you eyes like mine own'
simple words,
a simple prayer;
no need to read the bible for this,
just a mere exchange of
sublime religion--
no,
not religion, but faith:
faith like the toilet
always devouring your shit,
faith like your teeth
coming clean after brushing,
faith like some words ringing true--
for an echo into the skies
and a barracuda's bite...
i walk on,
trying to say something nice, while
listening all of the while, yet
wanting quite desperately
to get home to food and wine;
existence is a pastime,
faith is forever...
'you haven't got long'
he said,
as i left with those eyes
soft and hard--
at the very same time
maybe words can
lead you to the truth
or
maybe words can
transform the truth
or
maybe words
are the truth
or
maybe there is no truth...
or maybe the truth was there
but it disappeared after we
learned how to say
the word
this is because
music is dull
and the night is much darker
than some really know
this is because
nothing is permanent
and
everything is empty
when you realize you are
something
and this is because of
this, here,
when i should be asleep--
but the fear that's not fear
is as real as these
words are
sure empty
a
new ribbon
a
new beer
and
no girl to
call my own;
no one to
share this poem
with,
just
thunderous Mahler
and
deathly still
Mahler
and
midnight approaching
like
a
struggle for
nothing
but the
idea
itself...
this will calm
and
this will be
some
process for
learning to
heal from the silence
to
kneel before
my end and
laugh at its
strangeness--
to shrug off its
brainless
waste of time...
wherever i
go from there,
whenever i
extend my arms
singing and
reaching out to
care,
i'll find some way
to bring them home
and
feed them to the gears
that make these
words
sometimes appear
words
i will get you in bed
on sweaty sheets and
nightmare visions
i'll
arrive at your
door-step
with words i will
kill an idea or
reverse the pattern of
truth--salvage then
plunder; ignoring
any remnant of remorse
and the dogs will follow
smelling the trail
walking through shit and
dragging it in
into houses and lives
over
husbands and
wives
the words will
grow like an unbeatable army--
torturing, raping
tugging at the
very fabric of
god's tears
and i will
sit inside and
laugh and smile
while drinking from his skin
with
sugar and cream
one foot in the grave and
the other in my mouth
i hobble awkward motions
and
growth begins anew
blood growth and fresh dew;
mountains bloom inside my cheeks
then burst into warmth eating
cold winter's night
dogs growl in my teeth
biting fields of nervous nonsense
slurred, rapid, emotional
language
seems unnecessary
chew off an animal's head
like candy or a baby's dreams
yet undreamed, exploding like a
million screaming fans shot
directly in the face
with a hopeless expression
one small fragile glimpsing weakness
reworking resplendent new angles
peers out, eyes gone, stumbling in a sheen;
stunningly redeemed as an invisible cool,
wondrously galvanized and
priced low for humans;
a magnetic response triggers
gun-happy singers, voices inflecting,
encroaching and stinging with
sharp, chiseled minds;
fragile turns volatile warmth
cut to pieces as rays spitting out
cut to pieces in turn;
eyes form with blood-life and
old sight and dull dead
corpses like trash on the
streets once again...
upstairs i'm banging left
handed upon these keys while
downstairs in the living room
everything dangles with ease:
the tv, the speakers for the
stereo, silent and lifeless
the air of a thick, ashtray stench;
the ghosts and the lives of
those who have lived there
sat there, drank there, ate there
killed there--
time or humans, which-
ever's more convenient
whichever triggers the imagination...
and i sit upstairs and
hang there, too
awaiting the envisioned
invisible thread
but finding only
carpet and ceiling and the
breadth of the still...
knowing deep inside that
if i turn off the music
to seek what i find,
i probably will
at this bar with
Brian H., Bruno and some other folk--
mostly a bunch of rock 'n' roll types;
i think that Bruno and i decide to sit
at the bar, and order some drinks;
i order a double Windsor kamikaze,
then realize what i've said and change the order
to just a double Windsor, on the rocks...
Reagan Marcotte (sp.?) is sitting at the bar,
and an older friend of hers is
serving as bartender; they both talk
whenever the older one isn't
busy serving drinks;
i also realize that i had not intended on
drinking, but i drink my drink
down, anyway...
later, Bruno decides that he wants to
go for a ride on his motorcycle, and i
follow him;
when we get outside we see that
Brian H. (?) is across the street,
sitting on his motorcycle; so we cross
and talk to him; we discuss going
back to the bar, but there is much traffic
and Bruno says that we'll
never get back (alive?), to which
one of us adds:
"we're not real men; there's no way."
and Brian H. replies, "boys were born men,"
and he hops on his bike and
pulls a wheelie across the busy street
without getting hit by the traffic;
Bruno and i can't
believe our eyes; then Bruno turns to me
and says, as if inspired by a revelation,
"if boys we're born men, then
men we're born angels," and
he crosses, too...
i'm not sure what i said and did;
i might've just stayed
on the other side...
terribly life-like feeling:
me and two others, one is my brother
become trapped on this giant rock formation,
while the rest of the world is apparently
buried underneath a great flood;
we are the only ones left...
and i feel a mighty, ominous presence
in the sky that is dark and all a-storm;
i believe that it is God,
or, should i say, i think that it is God...
and we are all gripping onto this giant rock
to keep from being thrown into the sea;
then i am asked a question from
somewhere inside of my head
about my faith and belief--
and i am maliciously swept
into the deep, dark waves,
screaming...
she told me:
if you dont
see me around
for a while, it is because
i am committing myself
to an institution;
they said it would be
the best thing
for me to do
right now...
and i didnt
see her around
for a good, long while...
then one day
three or four weeks later
she came by
for a visit
we talked
and she told me that
she had changed her mind
she was feeling much better;
then she placed some flowers
by my bed
and left,
as visiting hours were
over,
and it was time
for my medication...
i hate being here;
but they say
that its the best thing
for me
right now
at least until they
change their minds
my life felt like a
movienot
a very
good one, just
a very
long one...
and here
where we are
where i am
in the plot
(it is loose)
i am
loosened
like an actor contemplating
outside of the script:
here i am.
what is this?
the absolute worst is when youre writing
down these words upon lined paper
in your bed
the clock reads one then
four
then
eight... you write the words because your
typewriters broken and its too late
to fix it,
and besides
the world is
broken
and the absolute worst when youre writing
down these words upon line paper
in your bed:
youre hearing music, quiet
music from a stereo or nothing...
or
the walls are speaking
pipes are hissing
dogs and cats outside are saying
something
you cant quite write down,
yet
SEMANTIC DEPRIVATION LOVE SONG
words dont mean anything the word
mean
doesnt mean anything
the word word
doesnt
mean anything the word anything doesnt mean
anything
anything
doesnt mean a word anything doesnt
mean
a word means nothing nothing doesnt
mean a word means anything
nothing
the opposite of nothing isnt isnt
the opposite of words
meaning i means
not much meaning you
means
just about everything else except me meaning
nothing at all
except
you
(i
do)
you the word
meaning:
not
us
Let me begin by informing you, the reader, that I was listening to a musical group called "Dead Can Dance" while typing this. As I was staring at the (mostly) blank page, the strange, dark, middle-eastern influenced music wafted from out my speakers... And I began thinking about those words: dead-can-dance... I realized that that is exactly what Philip Hyams poetry does: his words, the images they invoke, the mid-eastern, war-torn lands they transport you to--all encompass the feeling of death, yet up and dancing. Philip writes of the horror, the sadness, the senselessness and inhumanity of war. He tells of brothers killing brothers, of countries so obsessed with religious dogma and their own selfish desires for power that they will not let even the coldest cruelties known to humankind deter them from their conquests. He paints stark portrayals of broken cities and ravaged streets, with hapless victims strewn about like garbage. His words are bleak. But there is a beautiful strength behind them--in them. There is something that he has instilled into this carnage he has witnessed (most certainly fist-hand) that brings it back to life; that urges us to see that, although the killing and destruction are seemingly for nothing, there is something amidst the chaos that warrants recognition. His words are like a rejuvenating fluid that runs throughout the destitution and recognizes the life that was there, that is there, and the great importance of it, then forces it to dance upon the page, inside of the mind's eye, for anyone who happens upon the magic of Philip's words.
And that is about all that I would like to say right now. You're here, at San Francisco Salvo, reading this--why not check out Philip Hyams poems for yourself, and see what they do for/to you?
Vincent Atkins poetry defies the envelope but the critic must try. His verse is dream-like, composed of fragmented memories of familiar themes, none completing before being fractured by another fast-moving thought. Most poems show a kernel of real and particular experience that the poet has reflected upon. After being separated from the experience, he has carefully crafted a word play that represents both the viewer and the viewed.
As a character appearing in the poems, he is self-effacing, offering little advice and when doing so, the offering is modest. The universe is always amazing, dangerous, and funny when you survive. His attitude is benevolent, optimistic, and reveals traces of a religious or spiritual foundation. Sometimes there is work to do. Writing is hard work.
Technically, Atkins lines are phrase-based, sudden bursts of words, usually one phrase per line, the beginning of a line being the beginning of a thought. He is given to gentle, even tender ironies. He avoids sarcasm and satire. His work is vernacular and unmetaphorical. . Some of his poems pun around and some use the joke form to couple viewer and viewed.
On the way to an art exhibit in Outside the Institute, he bumps into a skateboarder and admires the young mans abilities. His ode to the tree, In Walked Bud, is an offbeat and original salute to spring.
He does not complain much about the world nor does he adorn or glorify it. His vision of the whole thing can be found in And It Kept At It. In this poem, he gets away with explaining the world, an act that usually arouses skepticism. He gets away with it because he resists the temptation to lecture and preach. He merely represents reality and his amazed relationship with it. He nods a little in Please Adjust the Hue but the familiar complaint that TV is a poor substitute for reality is gentle and original.
He meditates on words and meaning in Too Much Tao, Because, and Semantic Deprivation Love Song while consistently maintaining his attitude.
His style of personal journalism is frank and interesting. He avoids the usual pitfalls of self-pity and sermons disguised as confessions and candidly represents his experiences and his subsequent reflections. His two dream poems and the lonely No Arms Writing illustrate his personal world. Harsh Sunday, Contagious Cancer, and Give it a Shot are nightmarish.
Directors Cut illustrates his method of tying everything together with an ironic punch line.
Reviewed by James Robert Strope
Reviewed:
WELL CRAFTED GENTLEMEN ARE WE
IN WALKED BUD
OUTSIDE THE INSTITUTE
AND IT KEPT AT IT
GLISTENING BRIGHTNESS
PLEASE ADJUST THE HUE
BLUE
MIKE (WHO HAD FOUND GOD) HAD
TOO MUCH TAO
BECAUSE
NO ARMS WRITING
HARSH SUNDAY
CONTAGIOUS CANCER
GIVE IT A SHOT
CURIOUS RHYMES OF THE WILL
DREAM POEM 7/6/97
DREAM 3/19/97
A CHANGE OF MIND
DIRECTORS CUT
YET
SEMANTIC DEPRIVATION LOVE SONG