vincent atkins

vince's own web page:  maggotry

cemetery contemplations

haiku

4 LIFE

older today

black and white lies

4.
(this is not a disclaimer; this is not a discourse)

reaction to a storm

 

  • travelogue
    for no one

    for sanity

    the happening

    northern new mexico
    to you

    useless buoy

    life after death after life...
    christ comes to you
    cut yourself and examine your blood--

    WHAT THEY ALLOW

    remove my eyes my brain my teeth

    BREAKFAST SONG

    where this thing

    DRUNKEN BICYCLE

    WONDERFUL

    Well Crafted Gentlemen are We
    In Walked Bud
    Outside the Institute
    And it Kept at It
    Glistening Brightness
    Please Adjust the Hue
    Blue
    Mike Had Too Much Tao
    Because
    No Arms Writing
    Harsh Sunday
    Contagious Cancer
    Give It a Shot
    Curious Rhymes of the Will
    Dream Poem
    Dream
    A Change of Mind
    Director's Cut
    Yet
    Semantic Deprivation Love Song
    The Moon is Not Dead

  • when are you leaving?

  • The Personal Journalism of Vincent Atkins a review by James Strope 

  • vincent atkins was born in Minneapolis, MN and he enjoys this and that.

     


    cemetery contemplations

    I.

    green, red, and yellow leaves
    on an autumn tree,
    standing before a
    blue sky
    with the sun
    warm on my arms
    and every sound
    swirling round,
    as i sit
    and watch the insects crawl.

    II.

    brown pine needles
    on the ground
    amidst
    dying grass
    twigs
    weeds
    leaves
    everything
    a fallen blanket
    for the earth.

    III.

    beautiful daughter
    buried there,
    old friend,
    lost lover,
    acquaintance,
    stranger,
    no one at all;
    underneath the fallen leaves
    we leave you
    when you leave us...
    but
    we never go far.

    IV.

    writing poetry
    in an autumn cemetery
    by the diminishing light
    of a perfect afternoon,
    with an equally perfect
    evening
    coming soon.

     

    haiku


    I.

    early evening jazz
    on a thrift shop radio--
    louder than the world


    II.

    a cheap room for me
    and everything else for you,
    if you desire


    III.

    in tijuana
    some women don't want to talk,
    but will till i'm broke


    IV.
    now that she's asleep
    in this house, nothing's stirring
    but these thoughts of mine...



    _________________________________________________________________
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    4 LIFE

    i am a slave

    i am a slave to the good vibrations;
    any sounds that evoke
    the realms of
    immortality--
    the lingering profundity
    that materializes from out of the
    thin air,
    transporting me to a
    thick and lush
    landscape
    of ideas...

         these visions escaped from
         present day prisons
         and pulled me into some place living
         life apart from this...


    older today

    welcome night bed death
    just to hold my bones still
    while the blurry brain freezes
    just to focus on nil.

    annihilation of the day.

    so come pray
    because it works
    (so they say...)

    and we're all a little older
    and the night's a little colder

    ...these damn snowlflakes just drift
    like dead angels
    so small...

    but the carnage is a vast
    lovely covering
    smothering

    so peacefully furthering
    a reality
    through this one


    (this is not a disclaimer; this is not a discourse)

    at a bookstore today
    i came across a book
    entitled: the wheel of death.

    it jumped out at me;
    and so i skimmed through it's pages:
    a manual
    on death--
    every aspect covered:
    how to prepare; how your friends and family should prepare;
    what is normal;
    how long one should wait before
    cremating the corpse;
    etc.

    it all seemed fairly simple.
    it all seemed simply fair.

    but where will you go?
    the author proposed.

    where can you go?

    4.

    four birds in flight
    surounded by too fast to count

    four elements of matter
    and what matters

    (what are these four--
    limbs?)

    for every four breaths i take
    something can't breathe at all

    take four of my five
    and i've still one to show

    be four and be free!
    north, west, south and east

    four paws, the floor
    underneath activity

    four apocalyptic visions
    wondering which one's more fun

    we're on four wheels
    going nowhere

    some have four years to live:

    _________________________________________________________________

    reaction to a storm

    still life in a
    brick building
    living wind
    i hear the trees bend
    through myself
    the scraping world outside
    the soft light waiting...

    order mayhem!
    bombs!
    i can't believe what's in
    another world.
    the truth just happens
    differently...

    and still
    so safe
    alive
    the dead are bare white pages
    soil is slime
    you pervert
    watch:

    we move across
    comedic insects
    burying thoughts that
    suffocate.

    i wait.

    (i can't wait.)

    when the storms come
    people run for cover
    people
    turn the channel
    cats react
    ants
    fall off trees

    i shudder--
    think of something that will save me...

    all is quiet

    the trees are stumped.


    bird-brained thoughts
    before another day
    (after skinny puppy)

    ...gloom hell gloom
    insane
    gloom
    the bell
    nothing matters
    ring
    respond
    nothing
    sing a song
    without your ears
    the heart
    moves
    reward the grey skies
    loom
    to reap
    you cannot keep
    just go away
    insane
    them looking after
    moving faster
    fall asleep
    the bells
    from hell
    there are none
    is no
    trees attacking birds
    the bird
    a skeletal response
    a hungry dance
    lost blood
    no shit.


    black and white lies

    consensus causes form
    or your mind--
    not the mess.

    leave it alone
    because beauty
    does not make the sun rise.

    in one hour i'll be different;
    if i'm ugly
    it's no fault of time.

    (so the senses are an extra
    necessity
    for a linear relationship.)

    catch the sun
    in your gut
    and the darkness and the moon
    and everything--

    all need sustenance.

    (to experience a thing as beautiful means: to experience it necessarily
    wrongly--nietzsche as translated in susan sontag's on photography.)


    when are you leaving?

    it doesn't matter what they say about travel
    it doesn't matter if you
    immediately want to return
    it doesn't matter if
    once you've traveled the whole world
    you are no better off than you were before
    it doesn't matter that you'll be treated as a
    foreigner
    it doesn't matter that you might get sick
    or that you might wind up in jail
    or that you might be sentenced to death
    because their rules are different
    it doesn't matter that you'll be uncomfortable
    it doesn't matter that your
    car will break down
    it doesn't matter that you will bump into
    many dull and equally fascinating people
    it doesn't matter that you'll get laid
    it doesn't matter
    that the only action you'll get
    is the opening of the great pink sky
    beyond the rocky mountain breasts
    it doesn't matter that you'll sleep
    on floors and in beds
    it doesn't matter that you'll stay awake
    for hours on end
    it doesn't matter that there won't be anything for
    days
    it doesn't matter that the rain will
    never end
    it doesn't matter that the
    tv in your motel room
    will be functioning properly
    it doesn't matter that the alien silence
    will sound no less silent
    than it does at home
    it doesn't matter
    that you may
    never return
    it doesn't matter
    that they all will leave
    eventually
    it doesn't matter
    until it does
    for here i'm only
    speculating.


    travelogue:


    i leave without knowing,
    yet i am not an aimless wanderer.
    my aim is to wander,
    and i'll know
    when i arrive.

    for sanity


    i want to go crazy in iowa,
    get off the bus in des moines
    and walk away from you
    for good.

    but i'll stay on board
    to learn a little more
    while i still have the choice.


    the happening



    sober
    something moves me
    through this strange, quiet town
    beneath great mountains
    that may as well be
    made of cardboard.

    i've smoked enough cigarettes
    and denied myself
    enough food
    to transform my body
    into a thin and ghost-like form.

    perhaps it is the air
    that keeps me going...

    and then i think
    that i could
    lay down and die
    right here on the sidewalk--
    but i don't know how...

    and so i continue
    and happen upon
    three beautiful deer
    wandering the empty streets.

    perhaps they are searching for food.

    i pass them by
    and decide to search for food myself--
    for what good is all this money
    if it just sits inside my wallet?

    at a gas station
    i pick up some junk food
    eat a little
    on my way back
    and leave the rest for the deer.

    perhaps they will find it
    sniff at it a bit
    then return to those
    cardboard mountains...

    perhaps all i needed
    was that one
    perfect moment
    that always
    seems to be
    wonderfully
    perfectly
    happening.


    for no one

    beer and cigarettes
    a lonely town
    a failed attempt at
    phone sex
    with a distant girl
    a sunrise outside
    a pulled blue curtain
    and a world
    inside a tv
    within a murder
    two murders
    two lives
    a child
    a gun
    a reason for a poem
    for
    absolutely
    no one.


    northern new mexico


    smile and
    laugh with the bizarre--
    while the moon slides through
    a single eyebrow in the sky
    and the face disappears
    over a thousand miles...


    to you

    my true love
    i am coming home
    to a home that could be
    anywhere
    as long as
    you are there
    to see what
    i see
    in you.

    useless buoy

     
    i miss you...
    i can’t believe you went away.
     
    i’m as lonely as an
    empty world
    in an empty space
    in a
    meaningless
    universe;
    while you’re on the
    other side
    with one hell of a perspective...
     
    will you tell me
    how things are
    some day?
     
    will you miss me,
    trade the
    yin
    for the yang?
     
    without our balance
    this body floats across the
    senseless seas--
     
    a buoy
    you no
    longer need.
     
     

    life after death after life...

     
    the cold weather has arrived
    on the thick spine in
    mother’s back,
    aching her bones
    to induce a cold shake
    that will rattle our senses
    to the wonders of death
    for a while.
     
    and when summer’s blood
    comes flowing
    green
    through our mother’s veins,
    the warmth of the father’s
    rain
    coming down,
    impregnating beauty
    and warming our senses
    to the wonders of life
    for a while
     
    ...we may ache for that death
    once again.
     

    christ comes to you

     
    christ comes to you,
    benevolent and bleeding
    from the heavens;
    showering you with blood,
    and bursting your buds;
    bringing you up
    from the cool, red clay;
    raising your spirit,
    then
    snatching it away.
     
     
    cut yourself and examine your blood--
     
    for it is a good idea to simplify your life,
    and it is a bad idea to simplify your life.
     
    with the world in the state that it’s in,--
    constantly progressing,
    shifting,
    changing,
    tearing down and building up,--
    it is better to remain
    static,
    shiftless,
    un-
    changing...
     
    why bother tearing yourself down
    when you’ll just have to build yourself up again?
     
    on the other hand
    an insect crawls across your
    lifeline,
    changing into a butterfly,
    taking off
    from your fingertips,
    and dying at your feet.
     
    it is a good idea to acknowledge this.
    it is a bad idea to concede.
     
    for on the other wing,
    you are as simple as a speck of
    monarch dust.
     
    and in the land of kings
    and monarchs,
    he who has the most gold
    is often killed
    for something more important.

     

    WONDERFUL

    it’s all in the eyes,

    in the head; look in deep

    or just

    see;

    really tell yourself

    that you do not know this thing,

    this

    miraculous creature, this

    soul

    peering out, glowing,

    through two moistened hues

    with black pupils that zoom

    in and out

    to witness my amazement

    and

    dumbfounded daze...

     

    DRUNKEN BICYCLE

     

    when riding my bicycle down the road

    from a long, drunken, blundering eve,

    i notice things like

    shadowing spokes

    penetrating deep from beneath

    the tar of roads.

    and into these thoughts

    of delirious lines,

    lines that fracture all the sky

    and all its clouds

    that gratuitously manufacture lies--

    lies of what the gods may see,

    or lies of what we

    hope to be:

    menacing faces of magnificent girth

    that plunder the heavens

    and hypnotize earth.

     

    where this thing

     

    how horrible it is to attempt to plan my distant future

    out

    when i am not even sure

    what i will be doing next week...how horrible to think that

    i need to figure out what i want to do with my life, for the

    rest of my life...i want to do

    what i will be doing; i needn’t plan these

    things--they’ll

    happen...and i know that the most

    important time is now--nothing else matters

    quite as much

    as what i am doing right now...

    what you are doing

    right now...what the world is

    doing

    right now...i don’t know--

    some are sleeping,

    some are

    dreaming, and some are living their lives

    to the fullest, or

    wasting them away

    in very much the same manner...

    who am i to judge?

    i merely want to follow where this

    thing

    leads...

     

    BREAKFAST SONG

     

    birds...birds...

    one and then three

    now a wave of them

    piercing the morning air

    and my brain

    with beautiful beaks

    full of song...

    WHAT THEY ALLOW

    at certain times

    the trees, the sky, the moon

    are placed,

    positioned,

    just so,

    so that i see them as objects

    for my eyes and my mind

    to obtain pleasure from;

    to take

    pictures of;

    to paint;

    to

    write about.

     

    and other times

    i am placed,

    positioned,

    just so i know this

    is not

    what they want

    all the time.

     

    if it were

    they would

    never die,

    and

    we would

    never live.

     

     

    remove my eyes my brain my teeth

     

    remove my eyes my brain my teeth

    my my...how

    verily i cease!

    decrease the time it takes to

    write a note,

    reminders for a time to tell myself

    i must

    decrease...

    and ease

    out of the faucet in the sky

    or roll from stones

    and mountain’s sides.

    deserving

    cataclysms schism

    so to be the great divide

    that follows

    seekers of truth,

    washers of brains,

    pullers of teeth,

    and

    eye

    specialists...

    removers of the sticky film that

    won’t rinse away

    until all is

    seen

    as it truly is--

    it.

    all.

    no in between catastrophe

    but yes

    between, behind, because.

    because the world is full of death

    we die. because

    we kill and watch tv

    we cry

    because it doesn’t end the way it should

    it never ends--

    it just gets worse.

    i lose my eyes my brain my

    teeth with

    all the rest of me

    to some disordered hand

    that sweeps across the open plains

    and rolling hills

    and mountain tops

    into the oceans

    and their depths

    and

    doesn’t

    stop

    there...

    WELL CRAFTED GENTLEMEN ARE WE

    the well crafted hand from its

    void of strange crocodile wiles

    to

    exhume something lost,

    something

    stolen as

    children

    fall in. smilingly laboured an

    English boy stands

    in department stores' dreamlands

    so

    wistful,

    aplomb of the gun in his

    tiny, white hand--

    a toy smashed to pieces... and i

    thinking

    back toward

    baseball and boogy-

    men

    scream as we fall through any

    number of dreams,

    through the tears of some reptile

    dried up long ago.

    now this city we're lost in

    shoots up

    and

    away from this hole in the

    soul of a soul of a

    scared trigger finger

     

    IN WALKED BUD

    will the tree

    blossom overnight if i

    let go my eyes

    soft as

    petals;

    the

    lids will seem so

    seriously

    beautiful, to

    fall without gravity...

    here, let me

    pause

    for a

    strong leg of giant has

    rooted itself,

    ready to

    kick apart Spring

    with a

    stomach of

    flowering things

     

    OUTSIDE THE INSTITUTE

    dogs walking me, to the

    place where the artists are

    hung; a

    boy on a skateboard says:

    HI

    then sails down the

    cement;

    he pulls off a trick

    on the artistic steps

    and

    gladly i applaud his

    innocent destruction (

    though really

    none of artist-calling

    seemed to mind

    ); YOU MIND IF I

    GIVE IT A TRY--i,

    begging from inside,

    to sail all around

    through the concrete details

    of this admirable lad

    admiring my skills--

    my

    artistic hangings, like a

    soldier

    somewhat killed

     

    AND IT KEPT AT IT

    not really knowing a damn thing about

    history,

    events continue on with

    little planning

    standing at the edge of town, figuring

    which way is North, which way is

    Up,

    and

    digging around in the ground for a

    miracle: vast and ugly, the

    past

    waits for a god-damned long time;

    waits for the ufos,

    the new foes of bones

    old and bones

    young and strong--

    waiting to be brandished again like an

    army of death on the run...

    running faster to

    cities sound exciting in the black quilt of

    night on the prowl with thick clouds

    of

    dark cranium covering

    all of our happy heads;

    logging camps empty for the first time in

    centuries, and

    computers rusting, melting so

    sadly;

    for

    they never new a damn thing

    about the past, really;

    never raced in a canoe or

    killed birds with a wrist-rocket launching

    jagged death in a granite driven,

    missing--smashing

    windows into futures:

    boring,

    but it's

    where we just might

    live...

     

    GLISTENING BRIGHTNESS

    endorphins from the dogs

    flourish, for they

    got me

    all riled up inside--

    wrestled and

    growled

    and

    slobbered upon,

    their

    eyes a-sparkle with the

    empty, simple

    momentary pleasures

    of a

    smiling belly scratch; i

    walk with them through

    wet grass in the

    evening

    as they

    laugh inside their

    black coats shining

    with the moon

    PLEASE ADJUST THE HUE

    we were all

    huddled up in blankets and

    mesmerized by various televisions,

    awaiting the night to bring

    sleep to our weary eyes

    and even though we

    say we love humanity, we'd

    much rather watch it

    lifelessly trapped inside of

    twenty-two inch screens

    the people in there are

    much easier to get along with,

    even though there are times when they

    go against our wishes and cause us to

    jump and shout, or cry to ourselves...

    but we forgive them, in time

    and hope that tomorrow's episode will

    give us a chance to reestablish our faith

    until then, though, what on

    earth are we to do?

    stare at the sky? no, it's the

    wrong color blue

     

    BLUE

    blue the birds are waiting

    blue the sun is

    humming for renewal

    blue the sky

    is crying

    for a tool to make the nighttime

    run away

    blue the color

    of the tv screen

    when you pass out drunk and

    wake up jobless

    blue is the color

    that the sky should be

    on a perfectly cloudless day

    and blue is the tint

    your skin turns

    when the plastic of life

    knocks you down in the dirt

    and the sky grows quite heavy

    as the rain

    chills your fingers

     

    MIKE (WHO HAD FOUND GOD) HAD

    Jesus-esque eyes, soft and hard

    at the very same time--

    like a dog before death from a car

    and the probable bliss that unfolds...

    the pamphlets,

    the old words that carry the truth to the save-ed:

    'i can offer you salvation;

    i can offer you eyes like mine own'

    simple words,

    a simple prayer;

    no need to read the bible for this,

    just a mere exchange of

    sublime religion--

    no,

    not religion, but faith:

    faith like the toilet

    always devouring your shit,

    faith like your teeth

    coming clean after brushing,

    faith like some words ringing true--

    for an echo into the skies

    and a barracuda's bite...

    i walk on,

    trying to say something nice, while

    listening all of the while, yet

    wanting quite desperately

    to get home to food and wine;

    existence is a pastime,

    faith is forever...

    'you haven't got long'

    he said,

    as i left with those eyes

    soft and hard--

    at the very same time

     

    TOO MUCH TAO

    maybe words can

    lead you to the truth

    or

    maybe words can

    transform the truth

    or

    maybe words

    are the truth

    or

    maybe there is no truth...

    or maybe the truth was there

    but it disappeared after we

    learned how to say

    the word

    BECAUSE

    this is because

    music is dull

    and the night is much darker

    than some really know

    this is because

    nothing is permanent

    and

    everything is empty

    when you realize you are

    something

    and this is because of

    this, here,

    when i should be asleep--

    but the fear that's not fear

    is as real as these

    words are

    sure empty

     

    NO ARMS WRITING

    a

    new ribbon

    a

    new beer

    and

    no girl to

    call my own;

    no one to

    share this poem

    with,

    just

    thunderous Mahler

    and

    deathly still

    Mahler

    and

    midnight approaching

    like

    a

    struggle for

    nothing

    but the

    idea

    itself...

    this will calm

    and

    this will be

    some

    process for

    learning to

    heal from the silence

    to

    kneel before

    my end and

    laugh at its

    strangeness--

    to shrug off its

    brainless

    waste of time...

    wherever i

    go from there,

    whenever i

    extend my arms

    singing and

    reaching out to

    care,

    i'll find some way

    to bring them home

    and

    feed them to the gears

    that make these

    words

    sometimes appear

    HARSH SUNDAY

    words

    i will get you in bed

    on sweaty sheets and

    nightmare visions

    i'll

    arrive at your

    door-step

    with words i will

    kill an idea or

    reverse the pattern of

    truth--salvage then

    plunder; ignoring

    any remnant of remorse

    and the dogs will follow

    smelling the trail

    walking through shit and

    dragging it in

    into houses and lives

    over

    husbands and

    wives

    the words will

    grow like an unbeatable army--

    torturing, raping

    tugging at the

    very fabric of

    god's tears

    and i will

    sit inside and

    laugh and smile

    while drinking from his skin

    with

    sugar and cream

     

    CONTAGIOUS CANCER

    one foot in the grave and

    the other in my mouth

    i hobble awkward motions

    and

    growth begins anew

    blood growth and fresh dew;

    mountains bloom inside my cheeks

    then burst into warmth eating

    cold winter's night

    dogs growl in my teeth

    biting fields of nervous nonsense

    slurred, rapid, emotional

    language

    seems unnecessary

    chew off an animal's head

    like candy or a baby's dreams

    yet undreamed, exploding like a

    million screaming fans shot

    directly in the face

    with a hopeless expression

     

    GIVE IT A SHOT

    one small fragile glimpsing weakness

    reworking resplendent new angles

    peers out, eyes gone, stumbling in a sheen;

    stunningly redeemed as an invisible cool,

    wondrously galvanized and

    priced low for humans;

    a magnetic response triggers

    gun-happy singers, voices inflecting,

    encroaching and stinging with

    sharp, chiseled minds;

    fragile turns volatile warmth

    cut to pieces as rays spitting out

    cut to pieces in turn;

    eyes form with blood-life and

    old sight and dull dead

    corpses like trash on the

    streets once again...

     

    CURIOUS RHYMES OF THE WILL

    upstairs i'm banging left

    handed upon these keys while

    downstairs in the living room

    everything dangles with ease:

    the tv, the speakers for the

    stereo, silent and lifeless

    the air of a thick, ashtray stench;

    the ghosts and the lives of

    those who have lived there

    sat there, drank there, ate there

    killed there--

    time or humans, which-

    ever's more convenient

    whichever triggers the imagination...

    and i sit upstairs and

    hang there, too

    awaiting the envisioned

    invisible thread

    but finding only

    carpet and ceiling and the

    breadth of the still...

    knowing deep inside that

    if i turn off the music

    to seek what i find,

    i probably will

     

    DREAM POEM 7/6/97

    at this bar with

    Brian H., Bruno and some other folk--

    mostly a bunch of rock 'n' roll types;

    i think that Bruno and i decide to sit

    at the bar, and order some drinks;

    i order a double Windsor kamikaze,

    then realize what i've said and change the order

    to just a double Windsor, on the rocks...

    Reagan Marcotte (sp.?) is sitting at the bar,

    and an older friend of hers is

    serving as bartender; they both talk

    whenever the older one isn't

    busy serving drinks;

    i also realize that i had not intended on

    drinking, but i drink my drink

    down, anyway...

    later, Bruno decides that he wants to

    go for a ride on his motorcycle, and i

    follow him;

    when we get outside we see that

    Brian H. (?) is across the street,

    sitting on his motorcycle; so we cross

    and talk to him; we discuss going

    back to the bar, but there is much traffic

    and Bruno says that we'll

    never get back (alive?), to which

    one of us adds:

    "we're not real men; there's no way."

    and Brian H. replies, "boys were born men,"

    and he hops on his bike and

    pulls a wheelie across the busy street

    without getting hit by the traffic;

    Bruno and i can't

    believe our eyes; then Bruno turns to me

    and says, as if inspired by a revelation,

    "if boys we're born men, then

    men we're born angels," and

    he crosses, too...

    i'm not sure what i said and did;

    i might've just stayed

    on the other side...

    DREAM 3/19/97

    terribly life-like feeling:

    me and two others, one is my brother

    become trapped on this giant rock formation,

    while the rest of the world is apparently

    buried underneath a great flood;

    we are the only ones left...

    and i feel a mighty, ominous presence

    in the sky that is dark and all a-storm;

    i believe that it is God,

    or, should i say, i think that it is God...

    and we are all gripping onto this giant rock

    to keep from being thrown into the sea;

    then i am asked a question from

    somewhere inside of my head

    about my faith and belief--

    and i am maliciously swept

    into the deep, dark waves,

    screaming...

    A CHANGE OF MIND

    she told me:

    if you don’t

    see me around

    for a while, it is because

    i am committing myself

    to an institution;

    they said it would be

    the best thing

    for me to do

    right now...

    and i didn’t

    see her around

    for a good, long while...

    then one day—

    three or four weeks later—

    she came by

    for a visit

    we talked

    and she told me that

    she had changed her mind—

    she was feeling much better;

    then she placed some flowers

    by my bed

    and left,

    as visiting hours we’re

    over,

    and it was time

    for my medication...

    i hate being here;

    but they say

    that it’s the best thing

    for me

    right now—

    at least until they

    change their minds

    DIRECTOR’S CUT

    my life felt like a

    movie—not

    a very

    good one, just

    a very

    long one...

    and here

    where we are

    where i am

    in the plot

    (it is loose)

    i am

    loosened

    like an actor contemplating

    outside of the script:

    here i am.

    what is this?

    YET

    the absolute worst is when you’re writing

    down these words upon lined paper

    in your bed—

    the clock reads one then

    four

    then

    eight... you write the words because your

    typewriter’s broken and it’s too late

    to fix it,

    and besides

    the world is

    broken

    and the absolute worst when you’re writing

    down these words upon line paper

    in your bed:

    you’re hearing music, quiet

    music from a stereo or nothing...

    or

    the walls are speaking

    pipes are hissing

    dogs and cats outside are saying

    something

    you can’t quite write down,

    yet

    SEMANTIC DEPRIVATION LOVE SONG

    words don’t mean anything the word

    mean

    doesn’t mean anything

    the word word

    doesn’t

    mean anything the word anything doesn’t mean

    anything

    anything

    doesn’t mean a word anything doesn’t

    mean

    a word means nothing nothing doesn’t

    mean a word means anything

    nothing

    isn’t the opposite of anything everything isn’t

    the opposite of nothing isn’t isn’t

    the opposite of words

    meaning i means

    not much meaning you

    means

    just about everything else except me meaning

    nothing at all

    except

    you

    (i

    do)

    you the word

    meaning:

    not

    us

    THE MOON IS NOT DEAD

    Let me begin by informing you, the reader, that I was listening to a musical group called "Dead Can Dance" while typing this. As I was staring at the (mostly) blank page, the strange, dark, middle-eastern influenced music wafted from out my speakers... And I began thinking about those words: dead-can-dance... I realized that that is exactly what Philip Hyams poetry does: his words, the images they invoke, the mid-eastern, war-torn lands they transport you to--all encompass the feeling of death, yet up and dancing. Philip writes of the horror, the sadness, the senselessness and inhumanity of war. He tells of brothers killing brothers, of countries so obsessed with religious dogma and their own selfish desires for power that they will not let even the coldest cruelties known to humankind deter them from their conquests. He paints stark portrayals of broken cities and ravaged streets, with hapless victims strewn about like garbage. His words are bleak. But there is a beautiful strength behind them--in them. There is something that he has instilled into this carnage he has witnessed (most certainly fist-hand) that brings it back to life; that urges us to see that, although the killing and destruction are seemingly for nothing, there is something amidst the chaos that warrants recognition. His words are like a rejuvenating fluid that runs throughout the destitution and recognizes the life that was there, that is there, and the great importance of it, then forces it to dance upon the page, inside of the mind's eye, for anyone who happens upon the magic of Philip's words.

    And that is about all that I would like to say right now. You're here, at San Francisco Salvo, reading this--why not check out Philip Hyams poems for yourself, and see what they do for/to you?

     

     

    The Personal Journalism of Vincent Atkins

    Vincent Atkin’s poetry defies the envelope but the critic must try. His verse is dream-like, composed of fragmented memories of familiar themes, none completing before being fractured by another fast-moving thought. Most poems show a kernel of real and particular experience that the poet has reflected upon. After being separated from the experience, he has carefully crafted a word play that represents both the viewer and the viewed.

    As a character appearing in the poems, he is self-effacing, offering little advice and when doing so, the offering is modest. The universe is always amazing, dangerous, and funny when you survive. His attitude is benevolent, optimistic, and reveals traces of a religious or spiritual foundation. Sometimes there is work to do. Writing is hard work.

    Technically, Atkin’s lines are phrase-based, sudden bursts of words, usually one phrase per line, the beginning of a line being the beginning of a thought. He is given to gentle, even tender ironies. He avoids sarcasm and satire. His work is vernacular and unmetaphorical. . Some of his poems pun around and some use the joke form to couple viewer and viewed.

    On the way to an art exhibit in Outside the Institute, he bumps into a skateboarder and admires the young man’s abilities. His ode to the tree, In Walked Bud, is an offbeat and original salute to spring.

    He does not complain much about the world nor does he adorn or glorify it. His vision of the whole thing can be found in And It Kept At It. In this poem, he gets away with explaining the world, an act that usually arouses skepticism. He gets away with it because he resists the temptation to lecture and preach. He merely represents reality and his amazed relationship with it. He nods a little in Please Adjust the Hue but the familiar complaint that TV is a poor substitute for reality is gentle and original.

    He meditates on words and meaning in Too Much Tao, Because, and Semantic Deprivation Love Song while consistently maintaining his attitude.

    His style of personal journalism is frank and interesting. He avoids the usual pitfalls of self-pity and sermons disguised as confessions and candidly represents his experiences and his subsequent reflections. His two dream poems and the lonely No Arms Writing illustrate his personal world. Harsh Sunday, Contagious Cancer, and Give it a Shot are nightmarish.

    Director’s Cut illustrates his method of tying everything together with an ironic punch line.

     

    Reviewed by James Robert Strope

     

    Reviewed:

    WELL CRAFTED GENTLEMEN ARE WE

    IN WALKED BUD

    OUTSIDE THE INSTITUTE

    AND IT KEPT AT IT

    GLISTENING BRIGHTNESS

    PLEASE ADJUST THE HUE

    BLUE

    MIKE (WHO HAD FOUND GOD) HAD

    TOO MUCH TAO

    BECAUSE

    NO ARMS WRITING

    HARSH SUNDAY

    CONTAGIOUS CANCER

    GIVE IT A SHOT

    CURIOUS RHYMES OF THE WILL

    DREAM POEM 7/6/97

    DREAM 3/19/97

     

    A CHANGE OF MIND

    DIRECTOR’S CUT

    YET

    SEMANTIC DEPRIVATION LOVE SONG